Eventually Benatar finds out her boss is more than just a nasty club owner, and she stands up to her abusive pimp while getting her fellow girls to join the rebellious cause. The video is awesome too, in which Benatar portrays a “working girl” who bolted from her family and becomes a dancer in a club. From Benatar talking at the intro to whistling at the outro and everything in between, for me this is one of the signature angst songs of the decade. Love is a Battlefield is a brilliant, and I mean brilliant tale about the sometimes anguish of teenage kids and their parents. Leave it the way it is.’ I battled with them and battled with them, and eventually they said yes.” What are you doing? I’m not going to release it. “What is this drum machine thing you did? Why did you create this weird loop? Why did you do this? It’s horrible. Because when they heard it, they went, ‘What are you doing?” Giraldo said in the interview.

“It was difficult for the record company to hear it, too. Giraldo said neither the songwriters nor the record company were initially on board. “That was a song written very slow, very methodical, boring, like ‘We… are… young… heartache… to… heartache…’ I mean, it was really slow.” he said. According to an interview with, Giraldo was responsible for persuading Benatar that the song needed be (much) faster. Benatar and Neil Giraldo, her guitar player, producer and husband since 1982 weren’t fans of the slow tempo. Knight and Chapman wrote the song as a soft ballad. However, the intention of its premise compared to how you’d ultimately hear it on the radio is quite different.

The song, co-written by Mike Chapman and Holly Knight was penned for Benatar. Such as the case with Pat Benatar’s Love is a Battlefield. Some of the finest songs and biggest hits you hear happen almost by accident.

Pat benatar love is a battlefield